If you are like many people who enjoy sewing, after a while you develop a large stash of extra fabric and embellishments and start to wonder what you can make with all of it. We all do it; we go into the craft or fabric store and cannot resist all of the amazing new fabrics. We buy all of it with the best of intentions and then we put it in the sewing room never to be seen again. As the years pass, those fabric pieces seem to grow and multiply and before you know it, you have more fabric pieces than you know what to do with.
One of the best ways to use up those extra swatches of fabrics, fabric scraps, and embellishments, cluttering up your sewing room, is to sew some items for a charitable organization. There are many non-profit organizations all over the world that would be thrilled to receive a gift of your sewn creations. Sewing for charity allows you to spend time doing something you love and give to others less fortunate than yourself at the same time. It is truly a win-win-win situation for you, the charity, and the recipient as well.
No matter what you love to sew, there is a charitable project out there which will fit your skills and which you can enjoy making. You might be a great quilter, stuffed toy maker, clothing maker, or even someone who loves to sew useful but simple items, like blankets or pillowcases, for use around the home. Just about anything you might make for your friends and family you can make for a charity organization. And, the items you sew will be greatly appreciated.
Quilts and Bedding
There are many organizations who accept quilts and other bedding items which you can sew. These organizations range from your local peace officers, to the homeless in the United States, to orphanages around the globe.
Scrap quilts or "crazy" quilts are made from a variety of fabric scraps and are very easy to make. They can be made from virgin fabrics or from old clothing items. And, the best thing about crazy quilts is that they do not require you to have any special sewing skills. If you can simply sew two pieces of fabric together then you can make a crazy quilt.
Another simple project is making pillows and pillowcases. Both only involve being able to sew in a straight line. You can use existing pillows and pillowcases as patterns.
Stuffed Toys, Fabric Books, and Character Pillows
Unfortunately, there is no shortage of neglected or abused children all over the world. Thankfully, today there are many organizations that help to make trying times for children a bit easier. Often, groups such as your local police officers and fire fighters, will carry stuffed toys, fabric books, and character pillows around in the trunk of their vehicles. These items are given to children to comfort them when a tragedy happens and they need to be separated from their parents. Many children's items are simple to make but will make such a huge difference in the life of a child. Sewing for children's organization is a wonderful opportunity to help others.
Clothing for Adults and Children
Many people have a need for various types of clothing items which are easy to sew. Chemotherapy patients need head coverings, and premature babies often need clothing or burial items which will fit their very small bodies. Both of these are serious needs and ways in which your sewing can greatly help out other people in their times of sorrow and need.
No matter what your sewing ability, or what your economic status, you can sew for charity. Whether you make crazy quilts out of old cast-off clothing, or you make chemotherapy caps for cancer patients, your items will be cherished and appreciated for years to come. Today is the day to dig through your fabric stash and see what you could use to help others.
Wednesday, November 24, 2010
Sunday, November 14, 2010
All About Hoffman Fabrics
For the quilting enthusiast, one of the most important considerations is the choice of fabric. Let's face it; a quilt's beauty is totally dependent on what fabric the quilter chooses. If a quilt is unattractive and doesn't beg you to reach out and touch it, it probably has a lot to do with the fabric chosen to create it. Quilters in the know solve such potential problems by choosing fabrics from companies that they trust. Based in California, Hoffman Fabrics is a company who has proven their value to quilters over many years, since 1924, in fact.
Visit any quilting website that sells fabric and the name Hoffman will pop up. They specialize in high-quality screen-printed cottons and blends. Hoffman also produces hand-painted and dyed fabrics. Every year the company introduces two new lines of fabric, which they call "colorful prints and luscious Balis." They call their fabrics "inspiring" and that is not marketing hype. One look at the abundant richness of the color and designs of Hoffman Fabrics and you will see why they have been adopted by quilters as a must-have cloth. In return, Hoffman has shown incredible support to quilters. This is evident in the Hoffman Challenge, a contest which started in 1987.
Every year, the talents at Hoffman Fabrics choose one of their upcoming fabric designs to feature in the Challenge. Quilt-makers, clothing and accessory designers and doll-makers are then challenged to use the fabric to design an original item. The winning entries are then featured in a traveling show which stops at galleries, museums, shops, and quilting guilds. The first year of the Hoffman Challenge, 94 quilters entered. Since then, up to 700 entries a year have been received. The traveling show itself is so popular that 12 collections now travel nationwide, with some stops in Canada as well.
Besides the Challenge, Hoffman actively promotes the art of quilting in other ways. The company has paired with designer McKenna Ryan of Pine Needles Designs to create patterns based on Hoffman fabrics. Ryan says she likes to use Hoffman batik fabric for applique work because it has a high thread count that prevents fraying. The designer, like so many other quilters, is also appreciative of the depth of color and texture in Hoffman fabrics. Using these fabrics, she can design incredibly lush and intricate quilts based on nature.
Perhaps one of the secret's to the company's success is the family nature of the business. Three generations of Hoffmans are currently involved in the daily operations of the firm. It may interest contemporary quilters to know that much of the company's design philosophy stems from the fifties, when Philip and Walter Hoffman, sons of the original founder, joined the company. They brought with them their love of surfing and translated it to original designs of the ocean, beaches, and surfing life. Combining their passions with a knack for seeking out unusual printing processes for fabrics, the Hoffman sons helped to create a company that is beloved of quilters everywhere.
Visit any quilting website that sells fabric and the name Hoffman will pop up. They specialize in high-quality screen-printed cottons and blends. Hoffman also produces hand-painted and dyed fabrics. Every year the company introduces two new lines of fabric, which they call "colorful prints and luscious Balis." They call their fabrics "inspiring" and that is not marketing hype. One look at the abundant richness of the color and designs of Hoffman Fabrics and you will see why they have been adopted by quilters as a must-have cloth. In return, Hoffman has shown incredible support to quilters. This is evident in the Hoffman Challenge, a contest which started in 1987.
Every year, the talents at Hoffman Fabrics choose one of their upcoming fabric designs to feature in the Challenge. Quilt-makers, clothing and accessory designers and doll-makers are then challenged to use the fabric to design an original item. The winning entries are then featured in a traveling show which stops at galleries, museums, shops, and quilting guilds. The first year of the Hoffman Challenge, 94 quilters entered. Since then, up to 700 entries a year have been received. The traveling show itself is so popular that 12 collections now travel nationwide, with some stops in Canada as well.
Besides the Challenge, Hoffman actively promotes the art of quilting in other ways. The company has paired with designer McKenna Ryan of Pine Needles Designs to create patterns based on Hoffman fabrics. Ryan says she likes to use Hoffman batik fabric for applique work because it has a high thread count that prevents fraying. The designer, like so many other quilters, is also appreciative of the depth of color and texture in Hoffman fabrics. Using these fabrics, she can design incredibly lush and intricate quilts based on nature.
Perhaps one of the secret's to the company's success is the family nature of the business. Three generations of Hoffmans are currently involved in the daily operations of the firm. It may interest contemporary quilters to know that much of the company's design philosophy stems from the fifties, when Philip and Walter Hoffman, sons of the original founder, joined the company. They brought with them their love of surfing and translated it to original designs of the ocean, beaches, and surfing life. Combining their passions with a knack for seeking out unusual printing processes for fabrics, the Hoffman sons helped to create a company that is beloved of quilters everywhere.
Tuesday, November 9, 2010
All About Applique
Applique is a quilting technique which involves applying layering one fabric above another and sewing it on. The term applique comes from the French word appliquer, which is a French verb meaning 'to put on." Even though the word comes from the French, the technique has been used in many cultures and throughout history, with the earliest examples of applique being found thousands of years ago. Learning the uses and how-tos of applique will expand the possibilities of quilting enormously for you. Applique is a versatile technique which is useful for design options regular quilting can't accomplish.
The first step in learning applique is selecting a design. Small, intricate shapes will not work well for this technique, at least not when you are first learning. Start with a simple shape for your beginning applique project. Something basic like a circle or heart will serve you well for your first attempt. In order to create a pattern for your applique design, many people choose freezer paper, because it is stiff without being too thick. Trace your design onto the freezer paper and cut it out and then you can easily trace your applique onto the fabric you've selected cotton is a good choice). Next, carefully cut the applique design out, leaving 1/8th inches all around.
In order to stabilize the applique, you can either glue the freezer paper to the fabric design, or pin it. Now you will have to deal with the raw edges. Since the fabrics are being layered atop one another, as opposed to being sewn in seams as with traditional quilting, it's very important to learn to finish the raw edges so they won't unravel and be unsightly. One way to do this is to take your scissors and carefully snip to the marked line and then press the seam allowance under all the way around your design. Use the tip of a Popsicle stick or a chopstick to help smooth the little edges of fabric down.
Now position the applique design where you want it on the base fabric and hand stitch it down. There are several possibilities for stitching your applique. Do you want to hide the stitches or use it as a decorative element for your applique? If you want to hide the stitching, blind stitch or hem stitch are good possibilities. For decorative touches, try buttonhole stitching. You can use any embroidery stitch that strikes your fancy, but with some of the more complicated stitches it's a good idea to anchor your applique with a hem stitch first.
The last step is to very carefully cut a small slit in the background fabric only, behind the applique. Be certain not to cut through the applique itself! Then gently reach in and remove the freezer paper. Now turn your applique over and press it, smoothing the edges and taking care if you've used a decorative embroidery stitch. That's it! That's how easy it is to learn to applique. Once you've tried your hand at applique, you will be glad you've added it to your quilting repertoire.
The first step in learning applique is selecting a design. Small, intricate shapes will not work well for this technique, at least not when you are first learning. Start with a simple shape for your beginning applique project. Something basic like a circle or heart will serve you well for your first attempt. In order to create a pattern for your applique design, many people choose freezer paper, because it is stiff without being too thick. Trace your design onto the freezer paper and cut it out and then you can easily trace your applique onto the fabric you've selected cotton is a good choice). Next, carefully cut the applique design out, leaving 1/8th inches all around.
In order to stabilize the applique, you can either glue the freezer paper to the fabric design, or pin it. Now you will have to deal with the raw edges. Since the fabrics are being layered atop one another, as opposed to being sewn in seams as with traditional quilting, it's very important to learn to finish the raw edges so they won't unravel and be unsightly. One way to do this is to take your scissors and carefully snip to the marked line and then press the seam allowance under all the way around your design. Use the tip of a Popsicle stick or a chopstick to help smooth the little edges of fabric down.
Now position the applique design where you want it on the base fabric and hand stitch it down. There are several possibilities for stitching your applique. Do you want to hide the stitches or use it as a decorative element for your applique? If you want to hide the stitching, blind stitch or hem stitch are good possibilities. For decorative touches, try buttonhole stitching. You can use any embroidery stitch that strikes your fancy, but with some of the more complicated stitches it's a good idea to anchor your applique with a hem stitch first.
The last step is to very carefully cut a small slit in the background fabric only, behind the applique. Be certain not to cut through the applique itself! Then gently reach in and remove the freezer paper. Now turn your applique over and press it, smoothing the edges and taking care if you've used a decorative embroidery stitch. That's it! That's how easy it is to learn to applique. Once you've tried your hand at applique, you will be glad you've added it to your quilting repertoire.
Monday, November 8, 2010
How To Craft Basket Flowers
We have walked through the steps of creating the May basket, now it is time to craft your flowers. We have added handles, basket, etc, to your quilt, which at this time you should have created six blocks to make your basket. +How to create flowers: We are quilting flowers. On the left side of your fabric, you will have invented pink squares. You can trace your pattern to start your project. Trace at least one flower (Choice), use your outside solid lines, and repeat your steps to create the foliage, or leaves. Use the variety of green patterns and use the yellow narrow pieces to create the center of your flower.
You can design roses if you like. Use a variety of greens, red, pink, white, etc, if you intend to create roses and petals. Along the lines, you have marked, cut the fabric strips sewn onto your fabric, the shaped patterns that form your design, cutting only near the lines. Use freezer paper and turn it over so that you reveal the side that does not have a shine. You want to create a starting line for the six centers of your flowers, and the flowers also. Once you mark the 12 parts, mark the leaves (12), marking them inside the dash lines. Now you are ready to cut your shapes.
You will need an iron and board. Use your hot press, or iron to press the flowers on your paper, pressing in the middle of your flowers on the left side and in the middle. You want the glossy paper turned in the direction of your fabric flower at this point. Do the same with the center of the flowers and foliage.
Next, collect your yellow filament/thread and tone it with the center of your flower. If the colors do not match, try another shade of yellow. Run lines of stitches into your cloth, which encloses the ring of the freezer paper. You want to congregate your material around this ring, so pull your filament up at the end. Now, tie your thread, press the ring, and use your starch bottle, spraying the region. Do the same for the center of your flowers.
Next, use your variety of green filaments that match your leaves and collect the allowances at the seam. (1/4 inch) Collect around the foliage and streamlines of stitches along your fabric, about the enclosed region of your ring that is designed on the freezer paper. You want to collect your textile about the ring. Pull your filament/thread up at the finish and tie it, pressing the ring. Again, spray with starch.
When you congregate your allowances at the flower seams, snip the inner points of the flower corolla/petals where the flower collectively forms a ring. You will need to collect your thread that matches the color of your petals, such as pink. Just as you collected the edges of your leaves, do the same for your corollas. Once you finish running stitch lines in your fabric, which you have enclosed freezer paper about the ring, you will need to gather your material about the ring. Next, pull your strands of thread up at the finish. Next, bind your filament and then press the ring. Press, and spray the region with fabric starch. Now seam your allowances, i.e. snip the central points of the leaves, flower center, etc where the flower collectively forms a ring. Press and starch to complete your crafting task:
Now you are ready to assemble the top of your quilt. After you assemble, you can move to finish your craft.
You can design roses if you like. Use a variety of greens, red, pink, white, etc, if you intend to create roses and petals. Along the lines, you have marked, cut the fabric strips sewn onto your fabric, the shaped patterns that form your design, cutting only near the lines. Use freezer paper and turn it over so that you reveal the side that does not have a shine. You want to create a starting line for the six centers of your flowers, and the flowers also. Once you mark the 12 parts, mark the leaves (12), marking them inside the dash lines. Now you are ready to cut your shapes.
You will need an iron and board. Use your hot press, or iron to press the flowers on your paper, pressing in the middle of your flowers on the left side and in the middle. You want the glossy paper turned in the direction of your fabric flower at this point. Do the same with the center of the flowers and foliage.
Next, collect your yellow filament/thread and tone it with the center of your flower. If the colors do not match, try another shade of yellow. Run lines of stitches into your cloth, which encloses the ring of the freezer paper. You want to congregate your material around this ring, so pull your filament up at the end. Now, tie your thread, press the ring, and use your starch bottle, spraying the region. Do the same for the center of your flowers.
Next, use your variety of green filaments that match your leaves and collect the allowances at the seam. (1/4 inch) Collect around the foliage and streamlines of stitches along your fabric, about the enclosed region of your ring that is designed on the freezer paper. You want to collect your textile about the ring. Pull your filament/thread up at the finish and tie it, pressing the ring. Again, spray with starch.
When you congregate your allowances at the flower seams, snip the inner points of the flower corolla/petals where the flower collectively forms a ring. You will need to collect your thread that matches the color of your petals, such as pink. Just as you collected the edges of your leaves, do the same for your corollas. Once you finish running stitch lines in your fabric, which you have enclosed freezer paper about the ring, you will need to gather your material about the ring. Next, pull your strands of thread up at the finish. Next, bind your filament and then press the ring. Press, and spray the region with fabric starch. Now seam your allowances, i.e. snip the central points of the leaves, flower center, etc where the flower collectively forms a ring. Press and starch to complete your crafting task:
Now you are ready to assemble the top of your quilt. After you assemble, you can move to finish your craft.
Friday, November 5, 2010
How To Choose The Right Batting for Your Quilting Projects
Many crafters do not take the time to learn about the correct batting for their quilting projects, but it can make the difference between a successful quilting project and an unsuccessful one. The right batting can have an enormous effect on the finished appearance of your quilting project. It can also make the difference between enjoying the process of quilting or hating it. You spend hours planning the design and look of the outer layers of your quilting project, why not take the time to learn a bit about the batting that goes inside?
Batting is the insulating fabric, which is the part of the quilt that creates warmth. Batting is layered between the quilt top and the backing. This quilting sandwich of three layers of fabric is then pinned at the edges in order to temporarily secure it. Most commonly it is then sewn together, either by hand or machine, but sometimes crafters tie the layers of batting and fabric together. Usually yarn is used to tie a quilting project together, but sometimes several strands of thread are used also. Be certain to tie a tight square knot if you choose this method of securing the batting to the fabric. You want to be sure the quilt will stand up to years of use.
Batting comes in several different fibers, most often polyester, cotton, and wool. Polyester batting has a high loft which will remain through repeated washings. It is generally hypo-allergenic and usable for either hand or machine quilting projects. Cotton batting is a quilter's dream. It has a much lower loft than the polyester batting, and is often used when quilters want to achieve an antique look. Because cotton is a natural fiber, it "breathes," meaning it will help you to remain cool in the summer and warm in the winter. Cotton batting is not as suitable for tying, as it has a tendency to clump. Like cotton, wool batting breathes. It is easy to quilt, and thus a much beloved batting of many quilters. There are two different ways batting is manufactured--needlepunched or bonded. Needlepunched batting is a good utilitarian choice for a quilting project that needs to stand up to hard use. It is made by thousands of needles piercing the batting, interlocking the fibers. The needlepunched batting is firmer and heavier than bonded batting, which is manufactured by using a bonding agent to adhere the layers of the batting together.
Many battings, whatever form you choose, are available either pre-cut or rolled on a tube so that you can cut your own to size. If your quilting project is a standard quilt size (such as twin, full, queen, or king) you will probably be able to find a pre-cut batting quite easily. For other sizes you may need to buy batting on the roll.
Taking the time to learn about your choices in batting can change your quilting for the better, making it easier to complete projects, and increase your chances of being satisfied with the finished project.
Batting is the insulating fabric, which is the part of the quilt that creates warmth. Batting is layered between the quilt top and the backing. This quilting sandwich of three layers of fabric is then pinned at the edges in order to temporarily secure it. Most commonly it is then sewn together, either by hand or machine, but sometimes crafters tie the layers of batting and fabric together. Usually yarn is used to tie a quilting project together, but sometimes several strands of thread are used also. Be certain to tie a tight square knot if you choose this method of securing the batting to the fabric. You want to be sure the quilt will stand up to years of use.
Batting comes in several different fibers, most often polyester, cotton, and wool. Polyester batting has a high loft which will remain through repeated washings. It is generally hypo-allergenic and usable for either hand or machine quilting projects. Cotton batting is a quilter's dream. It has a much lower loft than the polyester batting, and is often used when quilters want to achieve an antique look. Because cotton is a natural fiber, it "breathes," meaning it will help you to remain cool in the summer and warm in the winter. Cotton batting is not as suitable for tying, as it has a tendency to clump. Like cotton, wool batting breathes. It is easy to quilt, and thus a much beloved batting of many quilters. There are two different ways batting is manufactured--needlepunched or bonded. Needlepunched batting is a good utilitarian choice for a quilting project that needs to stand up to hard use. It is made by thousands of needles piercing the batting, interlocking the fibers. The needlepunched batting is firmer and heavier than bonded batting, which is manufactured by using a bonding agent to adhere the layers of the batting together.
Many battings, whatever form you choose, are available either pre-cut or rolled on a tube so that you can cut your own to size. If your quilting project is a standard quilt size (such as twin, full, queen, or king) you will probably be able to find a pre-cut batting quite easily. For other sizes you may need to buy batting on the roll.
Taking the time to learn about your choices in batting can change your quilting for the better, making it easier to complete projects, and increase your chances of being satisfied with the finished project.
Monday, November 1, 2010
Choosing And Preparing Fabric
Choosing And Preparing Fabric
Choosing fabric for a quilting project can be as much fun as doing the project itself. Even if to quilters choose the same quilt pattern, different choices of fabric will make each quilt unique. Most quilter's prefer using fabric that is 100 % cotton because they are easier to sew, mark, press and hand quilt. If you are shopping for fabric in a quilt shop you will rarely find fabric that is not pure cotton. Fabrics will also probably be arranged according to colors and print types.
With more experience fabrics other than cotton may be added for variety. Not all fabrics are suitable however. If you are using an unusual fabric for the first time, or want to use different types of fabrics together, try a small test block first. Fabrics of a medium density, with an even weave work well. Loosely woven fabrics are prone to distortion, as are stretch fabrics. Silk, lightweight wool and some plastics may be used with experience.
Both the color and tone of the fabric you choose will influence the overall effect of the pattern that you choose. Tone may be used to create depth and interest with greater effect than when using color alone. Good planning is necessary to achieve the desired look.
Color is greatly affected by the colors around it. Using contrasting colors will make pieces of a quilt block stand out from each other. Combing certain warm colors such as reds, yellows and oranges, in the same quilt block as cool colors like blues, greens or violets, will make them look more vivid.
Combining fabrics with various print scales and styles can add visual texture to your quilt. Interesting visual effects may also be achieved by using colors of graduated values. Printed cotton fabrics are available in many designs and styles including batiks, homespun plaids and florals, tiny-grained prints that look like solids, reproduction prints, and soft flannels. Solid-color fabrics come in just about every color, shade and tint that you can imagine.
Quilt blocks made from fabrics of the same or various shades of one color, but of contrasting textures can create pleasing results. Fabrics with a nap such as velvet, or fabrics with sheen like taffeta also provide interest.
Whatever fabric you choose for your quilting project, you must prepare it properly before you begin. Most cotton fabrics shrink when they are washed and dried. If you do not preshrink your fabric before you make your quilt, the fabrics may pucker at the stitching lines and the finished product may shrink in size the first time it is washed.
To prevent this wash all fabrics first in a washing machine on a short gentle cycle. Use cool or warm but never hot water. You may use a mild detergent, but it is not necessary unless the fabric is soiled. Wash like colors together in case they are not colorfast. Machine dry the fabric and press it with an iron. You are now ready to begin your project.
Choosing fabric for a quilting project can be as much fun as doing the project itself. Even if to quilters choose the same quilt pattern, different choices of fabric will make each quilt unique. Most quilter's prefer using fabric that is 100 % cotton because they are easier to sew, mark, press and hand quilt. If you are shopping for fabric in a quilt shop you will rarely find fabric that is not pure cotton. Fabrics will also probably be arranged according to colors and print types.
With more experience fabrics other than cotton may be added for variety. Not all fabrics are suitable however. If you are using an unusual fabric for the first time, or want to use different types of fabrics together, try a small test block first. Fabrics of a medium density, with an even weave work well. Loosely woven fabrics are prone to distortion, as are stretch fabrics. Silk, lightweight wool and some plastics may be used with experience.
Both the color and tone of the fabric you choose will influence the overall effect of the pattern that you choose. Tone may be used to create depth and interest with greater effect than when using color alone. Good planning is necessary to achieve the desired look.
Color is greatly affected by the colors around it. Using contrasting colors will make pieces of a quilt block stand out from each other. Combing certain warm colors such as reds, yellows and oranges, in the same quilt block as cool colors like blues, greens or violets, will make them look more vivid.
Combining fabrics with various print scales and styles can add visual texture to your quilt. Interesting visual effects may also be achieved by using colors of graduated values. Printed cotton fabrics are available in many designs and styles including batiks, homespun plaids and florals, tiny-grained prints that look like solids, reproduction prints, and soft flannels. Solid-color fabrics come in just about every color, shade and tint that you can imagine.
Quilt blocks made from fabrics of the same or various shades of one color, but of contrasting textures can create pleasing results. Fabrics with a nap such as velvet, or fabrics with sheen like taffeta also provide interest.
Whatever fabric you choose for your quilting project, you must prepare it properly before you begin. Most cotton fabrics shrink when they are washed and dried. If you do not preshrink your fabric before you make your quilt, the fabrics may pucker at the stitching lines and the finished product may shrink in size the first time it is washed.
To prevent this wash all fabrics first in a washing machine on a short gentle cycle. Use cool or warm but never hot water. You may use a mild detergent, but it is not necessary unless the fabric is soiled. Wash like colors together in case they are not colorfast. Machine dry the fabric and press it with an iron. You are now ready to begin your project.
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